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The Proteus Audio Developement room (click to see more)

Proteus Audio Developement

2008 Audio & AV Show

The AMR room (click to see more)

Rountree Acoustics

Click an image to enlarge.

The 2008 Audio & AV Show (formerly The Sound & Vision Show) kicked off to a flying start, depending on your actual start point of course…

If you are a newby audiophile and required show information online, you would have realised the official promoters website 'Chester Group' was offline at least a week before the show start date thanks to hackers. However, hardcore hi-fi enthusiasts are resilient and tenacious. Judging by the emails received here, it was clear that most individuals already knew where to go and how to get there.

This years’ show held at the London Heathrow Park In Hotel 19-21 September was not only one of the best organised shows in years, it also seemed to be one of the most well attended. Both hi-fi representatives and patrons expressed an extremely healthy passion and enthusiasm for two channel hi-fi - Of course it is in the manufacturers’ best interest to put on at least a ‘semi-happy how can I help you hat’. However, it has taken a few years of reality check sales figures for many to get it right. With current global financial issues hotting up, only a water salesman in the Sahara Desert can rest on his laurels!

The ABC Audio room (click to  see more)

Without doubt every year sees a greater push on dedicated docking stations, various converters (both hardware and software) … and any conceivable product that will link that ever-popular ‘postage stamp’ sized entity called the iPod with two channel home hi-fi. Of course it makes basic financial sense for high end hi-fi manufacturers to embrace this irreversible technology. Whether purists like it or not, downsizing and convenience listening products are here for good. I would consider myself a ‘semi-purist’ with an open mind; however my brief encounter with the ABC Audio room iPod / server set-up seemed good reason to become a fully-fledged, badge wearing purist. I could never feel comfortable with such a compressed non-musical presentation.

The RPM room (click to see more)

The RPM room did not fare much better offering a rather forced brittle sound from the vinyl source with the CD player sounding somewhat clinical and compressed. With an overall system price tag in excess of £14.000 I expected to hear more.

 

 

 

Raysonic / Audiophile Base / Silver Arrow (click to see more)

Tannoy’s eye catching Prestige Kensington speakers took pride of place in the Raysonic room. Coupled with the Raysonic SE-20MKII valve amplifier (8 watts per channel) and CD player, audiophiles were treated to a punchy presentation with crystal clear clarity.

 

 

 

Electrocompaniet room (click to see more)

After further similar disappointing sounds from the Epos room, I was beginning to wonder if my ears were suffering from repetitive strain injury (RSI). Thankfully the Electrocompaniet room offered a welcome respite with an instantly listenable controlled presentation. Further listening using the precise powerful vocals of Rachelle Ferrell’s CD “Individuality” (Can I be me) revealed why this Norwegian company and its products are so highly respected. Ferrell’s vocals were delivered smoothly and with amazing detail. Watch this space for a more detailed review on Electrocompaniet amplifiers.

The Sound Venture room (click to see more)

Sound Venture Systems occupied one of the largest rooms in the hotel (and for good reason). Radialstrahler mbl 101 E omni-directional design speakers need room to breathe. They resemble modern ‘non-scary’ silver versions of Doctor Who’s Dalek’s (minus plunger laser gun) and would not be out of place in H. G. Wells’ film “The Time Machine”. Company director Alexander koibe was keen to wax lyrical about these beauties …

“The Radialstrahler mbl concept includes a circular vertical arrangement of carbon fibre lamellas around an axis for each frequency range (tweeter, midrange driver and subwoofer). On the upper side, these lamellas are firmly glued in a thrust bearing and on the lower side; they are connected to a moving coil. When a pulse of music is transmitted from the amplifier to the speaker, these slightly bent lamellas are oscillated - they radiate sound waves, in this case music. The result is a sound of unusual acoustic space, neutral and homogenous and realism that is absolutely free from colouring.”

The most effective test for any system is to actually listen… Panamanian Danilo Perez’s “Panamonk” CD is a fine example of lively rhythmic Latin enthused jazz. I also have had the pleasure of experiencing Perez in the live environment, so my expectations for the Radialstrahler mbl 101 E’s and associated components was high. The results… a dynamic, unforced lively energy. Most notable was the clean natural treble that did not spit, sound abrasive or tiring. An open airy cohesive sound (from any position in the room) which simply takes your breath away. I eventually reluctantly moved on to listen to other systems at the show. With an overall system price tag of £95.000, I realised I would probably need to put my passion for music and hi-fi on hold for a while to become a water salesman, and then re-locate to the Sahara Desert...!

Albums used for demonstration included:

Danilo Perez – Panamonk (CD)
Rachelle Ferrell - Individuality (CD)

Report by Robin Francis
© Michael Valentine Studio
September 2008

The Xindak ' John Blue Auido Suite (Click to see more)

The Xindak / John Blue Audio Suite

Angel Sound (click to see more)

Angel Sound

Epos / Creek (click to see more)

Creek / Epos

Henley Designs / Roksan Audio (click to see more)

Henley Designs / Roksan Audio

Thorens Clearlight Audio (click to see more)

Thorens Clearlight Audio

Kudos Audio / Chord Electronics (click to see more)

Kudos Audio / Chord Electronics

Guru Pro Audio / Tom Tom Audio (click to see more)

Guru Pro Audio / Tom Tom Audio

Keith Monks (click to see more)

Keith Monks

 

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